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Syllabus:Flute 2018–2021

Important information:
Please note that the information listed below does not contain complete syllabus details. Therefore, when planning an exam entry, it is important to refer to the current syllabus and the Exam Information & Regulations.

Pieces (select one from each list)

List AAvailable In
1. Tambourin
attrib. Gossec
2. Allegro: 2nd movt from Sonata in G minor, Op. 2 No. 6
3. Adagio and Allegro: 1st and 2nd movts from Sonata in D, QV 1:49
4. Polonaise and Double: 5th movt from Suite in B minor, BWV 1067
J. S. Bach
5. Allegro moderato: 1st movt from Sonata No. 2 in A minor
6. Allegro: 2nd movt from Sonata in G, HWV 363b, Op. 1 No. 5
7. Sonata No. 8 in C
Rabboni (and Vignoles)
8. Adagio and Gigg (Vivace): 1st and 3rd movts from Solo in B minor, Op. 4 No. 4
9. Air à l'Italien: 3rd movt from Suite in A minor, TWV 55:a2
10. Allegro: 1st movt from Concerto in D, RV 783
List BAvailable In
1. Scherzino, Op. 55 No. 6
J. Andersen
2. Nocturne in Eb, Op. 9 No. 2
3. City Life 2: No. 2 from City Life
Paul Hart
4. Arabesque
John Frith
5. Madrigal
6. La sarabande: No. 3 from L'Almanach aux images
7. Smoke Gets in Your Eyes: from Roberta
Harbach and Kern
8. Prélude français
Bryan Kelly
9. Lullaby for Laura: No. 1 from Pictures of Childhood
Paul Lewis
10. And Everything is Still...
Andy Scott
List CAvailable In
1. Hand In Hand: No. 12 from 25 romantische Etuden, Op. 66
E. Köhler
2. Twisted Tango
Richard Michael
3. Rondeau: from Caprice de flûte en forme de sonate
A. Stamitz
4. Entr'acte: from Fantasia on Carmen
Bizet, arr. Hunt
5. Blue Flute or Comical Flute: No. 32 or No. 35 from Fifty for Flute, Book 2
Alan Bullard
6. Theme and Variation
7. Imaginings: from Flute Salad
Oliver Ledbury
8. Breakaway or One-part Invention: No. 29 or No. 30 from 42 More Modern Studies for Solo Flute
James Rae
9. Adagio–Vivace: 2nd movt from Fantasia No. 11 in G, TWV 40:12
10. Tango: from Dynamic Dances for Flute
Allen Vizzutti
Also RecommendedAvailable In
1. Scales & Arpeggios
2. Preparation for the Sight Reading Tests
3. Preparation for the Aural Tests