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Syllabus:Saxophone (Soprano/Tenor) 2014–2017

Important information:
Please note that the information listed below does not contain complete syllabus details. Therefore, when planning an exam entry, it is important to refer to the current syllabus and the Exam Information & Regulations.

Pieces (select one from each list)

List AAvailable In
1. Playera, Op. 5 No. 5
2. Romance No. 1 (from Op. 94)
3. Allegro (from Violin Sonata in A)
4. Bolero
5. Little Overture: No. 1 from Super Solos for Tenor Saxophone
Philip Sparke
6. Siciliana (Andante) and Spiritoso, or Andante and Vivace: 1st and 2nd movts, or 3rd and 4th movts from Sonata in C minor (TWV 41:a3) for soprano saxophone
7. Perce-Neige
8. Allegro: 3rd movt from Concerto in A minor (RV 461) for soprano saxophone
9. Andante and Allegro: 3rd and 4th movts from Sonata in C minor, RV 53 for soprano or tenor saxophone
List BAvailable In
1. Tangram for tenor saxophone
John Robert Brown
2. Travellin' Light
Rob Buckland
3. Bala Breeze and Bala Bounce (Nos 1 and 3 from Three Sketches from Bala)
Colin Cowles
4. Richmond and Wymondham: 1st and 4th movts from Albion Dances for tenor saxophone
Martin Ellerby
5. Music of the Spheres
Paul Harris
6. Black Sheep of the Family: No. 14 from The Christopher Norton Concert Collection for Tenor Saxophone
Christopher Norton
7. And Everything is Still. . .for soprano or tenor saxophone
Andy Scott
8. Zebra Crossing for tenor saxophone
Andy Scott
9. Amazing Grace or The Ash Grove
List CAvailable In
1. Study in D
C. Baermann
2. Study in D or Study in F# minor
3. Expressive Sax or Impetuous Sax: No. 46 or No. 47 from Sixty for Sax
Alan Bullard
4. Paso-doble: No. 13 from 17 Études dansantes for solo saxophone
P. M. Dubois
5. Tongue Twister: No. 9 from 15 More Crazy Jazz Studies for Solo Saxophone
Chris Gumbley
6. Return Flight or Breakaway: No. 26 or No. 31 from 36 More Modern Studies for Solo Saxophone
James Rae
7. Henry's Banquet
Andy Scott
Also RecommendedAvailable In
1. Scales & Arpeggios
2. Sight Reading Tests
Please email us for availability
3. Preparation for the Aural Tests