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Syllabus:Descant Recorder 2018–2021

Important information:
Please note that the information listed below does not contain complete syllabus details. Therefore, when planning an exam entry, it is important to refer to the current syllabus and the Exam Information & Regulations.

Pieces (select one from each list)

List AAvailable In
1. Bourée 1 and Bourée 2: from Suite No. 2, BWV 1067
J. S. Bach
2. Andante and Presto: 3rd and 4th movts from Sonata in G, Op. 1 No. 2
3. Tambourin 1 and Tambourin 2: 4th and 5th movts from Suite in C, Op. 6 No. 4
Caix d’Hervelois
4. Vivace and Allegro: from Concerto grosso, 'Christmas Concerto', Op. 6 No. 8
5. Largo
Earl of Kelly
6. Air and Variations 1–3
7. Airs 1 and 2
8. Moderato and Giga (Allegro): 3rd and 4th movts from Solo No. 2 in G
J. Reid
9. Allegro assai: 2nd movt from Sonata in G, Op. 2 No. 1
Giuseppe Sammartini
10. Aria 3 and Aria 6: 4th and 7th movts from Partita No. 4 in G minor, TWV 41:g2
List BAvailable In
1. Nice 'n' Easy: No. 2 from Jazzy Recorder 2
2. By River...: No. 2 from Three Diversions
Alan Bullard
3. Mazurka, Op. 30 No. 1
4. The Little Shepherd: from Children's Corner
5. Ragtime: No. 1 from New World Dances, Op. 62
6. Fairly Shot of Her: No. 3 from Geordie Tunes
Peter Hope
7. Elite Syncopations
8. Courtly Dance: No. 2 from Suite ancienne
Philip Lane
9. Wallaby Hop: No. 1 from Around the World with my Recorder
Jayson Mackie
10. A Little Latin or Blue for a Girl: No. 4 or No. 5 from Jazzy Recorder 1
List CAvailable In
1. Allegro
2. Rondeau
3. Oswald's Frolick
Paul Harris
4. Dance of the Raindrops
Peter Bowman
5. Leggiero: No. 8 from 12 Melodious Exercises
Joannes Collette
6. De France Courant: from Der Fluyten Lust-hof
van Eyck
7. Study in C: No. 4 from 10 Difficult Studies
8. A Kind of March and Unfamiliar Paths: Nos 8 and 9 from 14 Miniatures
Hans-Martin Linde
9. Tweede Nachteghaeltje: from Der Gooden Fluyt-Hemel
10. Study in C minor: No. 21 from 35 Studies
Jan Nykl
Also RecommendedAvailable In
1. Scales & Arpeggios
2. Preparation for the Sight Reading Tests
3. Preparation for the Aural Tests